Giving Voice to Mowgli’s Wolf Mother

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The Jungle Book” is an all-new, live-action epic adventure about Mowgli, a man-cub raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan, who bears the scars of Man, promises to eliminate what he sees as a threat. Urged to abandon the only home he’s ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor, Bagheera, and the freespirited bear Baloo. Along the way, Mowgli encounters jungle creatures who don’t exactly have his best interests at heart, including Kaa, a python whose seductive voice and gaze hypnotizes the man-cub, and the smooth-talking King Louie, who tries to coerce Mowgli into giving up the secret to the elusive and deadly red flower: fire.

Based on Rudyard Kipling’s timeless stories, “The Jungle Book” is inspired by Disney’s classic animated film, with an approach all its own. “We embrace the mythic qualities of Kipling in the more intense tonal aspects of the film,” says director Jon Favreau, “but we left room for what we remember from the ’67 film, and sought to maintain those charming Disneyesque aspects.”

Filmmakers employed up-to-the-minute technology to tell the story in a contemporary and immersive way, blending live-action performances with stunning CG environments and extraordinary photo-real animal characters that artists stylized to elevate the storytelling. “‘The Jungle Book’ is a universal coming-of-age story that everyone can relate to,” says producer Brigham Taylor. “Walt told the story through traditional cell animation and now we have the technology to actually bring these characters to life, make them photo-real and put a real kid into the environment in a seamless, believable way. The opportunity to be able to show that with today’s technology was irresistible.”

According to Favreau, story is king. “I think films have to offer an emotional experience for the audience,” says the director. “The spectacle won’t mean anything if they’re not engaged emotionally with the characters. Every story needs humanity, emotion and character development, as well as humor—presented in a way that doesn’t betray the stakes of the fi lm. There are white-knuckle moments in the movie when you wonder, ‘What’s going to happen to this kid?’”

The all-star cast includes Bill Murray (“Lost in Translation”) as the voice of Baloo, Ben Kingsley (“Learning to Drive,” “The Walk”) as Bagheera, Idris Elba (“Star Trek Beyond”) as Shere Khan, and Lupita Nyong’o (“12 Years a Slave,” “Star Wars: The Force Awakens”) as the voice of mother wolf Raksha. Scarlett Johansson (“Avengers: Age of Ultron”) gives life to Kaa, Giancarlo Esposito (“Breaking Bad”) provides the voice of alpha-male wolf Akela, and Christopher Walken (“The Deer Hunter”) lends his iconic voice to King Louie. Newcomer Neel Sethi stars as the film’s only human character, Mowgli. Sethi, 12, was selected from thousands of hopefuls who auditioned as part of an extensive worldwide search.

Raksha, a loving and fiercely protective mother wolf, cares deeply for all of her pups—including man-cub Mowgli, whom she adopts as one of her own when he’s abandoned in the jungle as an infant.

“We relied a little more on Kipling when it came to Raksha,” says Favreau. “The wolves have a much greater significance in his stories, which was important to me.”

Oscar® winner Lupita Nyong’o was called on to help bring Raksha to life. “I just love my character,” says Nyong’o. “She is the protector, the eternal mother. The word Raksha actually means protection in Hindi. I felt really connected to that, wanting to protect a son that isn’t originally hers but one she’s taken for her own.

“I really enjoyed preparing for this and learning about wolves and how social they are, how they stick together,” continues Nyong’o. “There’s such an order—a hierarchy—to a wolf pack. Mowgli tries to fit in with the other wolf pups. He has his challenges, but he is very much a part of the pack as far as Raksha is concerned.”

Taylor credits the actress with channeling her inner wolf. “Lupita just nailed the emotion of this character, which wasn’t really fleshed out in the animated version,” he says. “She intuitively captured that bond between an adoptive mother and her son.”

Adds Favreau, “She’s elegant and refined, but it’s more than that. She has an accessibility about her that was what we really wanted for Raksha. She feels like a mom, but she clearly comes from somewhere different than where Mowgli does.”

Nyong’o says she was familiar with the story when film makers approached her. “I grew up watching the Disney version and loved it so much,” she says. “As a little girl, my favorite character was Baloo. The magic of Mowgli’s story is that every child can identify with that feeling that you are the only one of your kind. I really identified with that idea. And going on an adventure with no adults is the ultimate childhood fantasy. I loved that this kid got to realize himself through this amazing adventure. It’s a wonderful coming-of-age story.”

The Jungle Book opens in theaters on April 15.

@colormagazineusa